Before society was overtaken by electronic amusements--television, films, computer games, and the ubiquitous handheld gadgets, people were adept at making their own amusements. Card games, charades, word games, and puzzles abounded. For the musically inclined, playing instruments and singing were a popular way of passing the time. For those with more energy and high spirits, there was dancing.
From the formalities of the minuet and the quadrille through the occasional intricacies of the contre or country dance to the romping jigs and reels, people danced. At the height of the Revolution in France, dancing clubs were popular.
At dancing parties, and dancing schools, with dancing masters and dancing manuals, Regency society danced. And they talked about dancing:
"As dancing is the accomplishment most calculated to display a fine form, elegant taste, and graceful carriage to advantage; so towards it, our regards must be particularly turned; and we shall find that when Beauty, in all her power, is to be set forth, she cannot chuse a more effective exhibition.
"The characteristic of an English country-dance is that of gay simplicity. The steps should be few and easy; and the corresponding motion of the arms and body unaffected, modest, and graceful.
"But with regard to the lately-introduced German waltz, I cannot speak so favourably….There is something in the close approximation of persons, in the attitudes, and n the motion, which ill aggress with the delicacy of woman,…"
So says "Regency Etiquette: The Mirror of Graces (1811) a reprint from R. L. Shep Publications ISBN 0-914046-24-1
Edward Austen-Leigh, Jane Austen's nephew, commented on dancing: "The stately minuet reigned supreme; and every regular ball commenced with it….Gloves immaculately clean wee considered requisite for its due performance, while gloves a little soiled were thought good enough for a country dance; and accordingly some prudent ladies provided themselves with two pairs for their several purposes."
Even poetry inclined to the dance in the book (available for download from Google Books), "The Ball, or A Glance at Almack's in 1829" by G. Yates:
"'Tis Dancing only heightens every charm,
And gives each feature double power to warm;
Like goddesses, it shows us how to move,
And adds a Juno to the Queen of Love."
Mr. Yates further offered:
"To dance as if a person had passed all his life in the study of it, a man of sense should be ashamed of: yet to be totally ignorant of it, and the grace and comportment which, by learning it, is acquired, shows a man of learning either an ill-natured stoic, or ill-bred pedant."
And Jane Austen, as always, may have the final word:
"...To be fond of dancing is a certain step towards falling in Love... "- Jane Austen, Northanger Abbey
Do you enjoy dancing? Do you square dance? It is a direct relative of the 'contre-danse'. Have you tried Regency dancing? Some cities have Regency dance clubs--I wish mine did!
From the formalities of the minuet and the quadrille through the occasional intricacies of the contre or country dance to the romping jigs and reels, people danced. At the height of the Revolution in France, dancing clubs were popular.
At dancing parties, and dancing schools, with dancing masters and dancing manuals, Regency society danced. And they talked about dancing:"As dancing is the accomplishment most calculated to display a fine form, elegant taste, and graceful carriage to advantage; so towards it, our regards must be particularly turned; and we shall find that when Beauty, in all her power, is to be set forth, she cannot chuse a more effective exhibition.
"The characteristic of an English country-dance is that of gay simplicity. The steps should be few and easy; and the corresponding motion of the arms and body unaffected, modest, and graceful.
"But with regard to the lately-introduced German waltz, I cannot speak so favourably….There is something in the close approximation of persons, in the attitudes, and n the motion, which ill aggress with the delicacy of woman,…"
So says "Regency Etiquette: The Mirror of Graces (1811) a reprint from R. L. Shep Publications ISBN 0-914046-24-1
Edward Austen-Leigh, Jane Austen's nephew, commented on dancing: "The stately minuet reigned supreme; and every regular ball commenced with it….Gloves immaculately clean wee considered requisite for its due performance, while gloves a little soiled were thought good enough for a country dance; and accordingly some prudent ladies provided themselves with two pairs for their several purposes."Even poetry inclined to the dance in the book (available for download from Google Books), "The Ball, or A Glance at Almack's in 1829" by G. Yates:
"'Tis Dancing only heightens every charm,
And gives each feature double power to warm;
Like goddesses, it shows us how to move,
And adds a Juno to the Queen of Love."
Mr. Yates further offered:
"To dance as if a person had passed all his life in the study of it, a man of sense should be ashamed of: yet to be totally ignorant of it, and the grace and comportment which, by learning it, is acquired, shows a man of learning either an ill-natured stoic, or ill-bred pedant."
And Jane Austen, as always, may have the final word:
"...To be fond of dancing is a certain step towards falling in Love... "- Jane Austen, Northanger Abbey
Do you enjoy dancing? Do you square dance? It is a direct relative of the 'contre-danse'. Have you tried Regency dancing? Some cities have Regency dance clubs--I wish mine did!
'Til next time,
Lesley-Anne
The book was published in 1985 by Holt Rinehart in hardcover, ISBN 0-03-006109-1. It is copyrighted by April Agnew-Somerville who is apparently the current owner of the faery drawings. 
When she married in 1829 Emily quit fairy painting, and produced little artwork for the rest of her long life. Her album of fairy paintings was a family memento for several generations until its publication. Her drawings are now recognized as important additions to the genre of British fairy painting.