"The boy stood on the burning deck..."A poem by Hemans

The boy stood on the burning deck
Whence all but he had fled;
The flame that lit the battle's wreck
Shone round him o'er the dead.

That first line, that memorable first line...I've read it before, more than once. But I never knew the author, and I never bothered to find out.

Well, the poem is 'Casabianca' and its author was Felicia Hemans, one of the foremost poets of the Regency era, and one of whom most of you have probably never heard. She was as famous in her day as Shelley, Keats and Coleridge. She was a personal friend of Wordsworth and Walter Scott. Byron was alternately a fan and a detractor. Her poem 'Modern Greece' he disliked; 'Restoration' he admired.

Felicia Browne began to write poetry at the age of eight. Her family was of the merchant class, and at least two of the seven children were extraordinarily gifted. Felicia was reading Shakespeare at six, and spoke five languages by her teens. She may have had a photographic memory as her feats of recitation were, apparently, astonishing.

Felicia was already the author of three books when she married Alfred Hemans at age nineteen. He seemed a dashing soldier but he was soon on half-pay, and they were a couple with four little boys, living with her mother. He abandoned her in 1818 leaving her with five sons from their six years of marriage.

Of necessity both artistic and financial, Felicia wrote and wrote and wrote. Time alone to work was hard to find and she said:

"I have been pursued by the household troops through every room successively, and begin to think of establishing my metier in the cellar."

Felicia Hemans was as successful as her male counterparts of the time. Their names are virtually household words; hers is not. It may be because dismissive comments like the following from the Edinburgh Review of 1830, written in a discussion of Mrs. Hemans' work:

"...they [women] are also incapable of long moral or political investigation, where many complex and indeterminate elements are to be taken in account..."

"Their proper and natural business is the practical regulation of private life, in all its bearings, affections, and concerns..."

One of the statements of the article's author explains why the female poets of the 19th century are over-looked and the male are honoured:

"We think the poetry of Mrs. Hemans a fine exemplification of Female Poetry,..."

Dismissed and patronized...

Some of Felicia Hemans' poetry is not to the modern taste. But then some of Lord Byron's is not either. However, her facility with words, her skill with imagery, and her emotional depth cannot be doubted.

But like a lute's brief tone,

Like a rose-odour on the breezes cast,

Like a swift flush of dayspring, seen and gone,

So hath my spirit pass'd!

The Dying Improvisatore

By sounding ocean- waves

And dim Calabrian caves

And flashing torrents, I have been your mate;

And with the rocking pines

Of the olden Appenines,

In your dark path stood fearless and elate.

The Storm-Painter in his Dungeon

Nature hath mines of such wealth--and thou

Never wilt prize its delights as now!

For a day is coming to quell the tone

That rings in thy laughter, thou joyous one!

And to dim thy brow with a touch of care.

The Child and Flowers

This last poem was deeply political, a discussion of the ideal of the simple, natural life of a child and its reality, an often grim, working life of hardship. The meaning was often missed, especially when Thomas Lawrence's beautiful painting was used to illustrate the poem.

Felicia Hemans had a premonition that "my poetry, except some half-dozen pieces, may be consigned to oblivion". Certainly the male literary historians of the past two centires, wielding the devices of criticism and disparagement, have attempted to marginalize female poets and their work. I discussed this nearly two years ago in another blog post.

But the work of Felicia Hemans, and her sister-poets, lives on and deserves our consideration. We owe them a reading, at the very least...

Next week, author and artist Kat Aubrey will be visiting to discuss her work in cover design (The Earl's Peculiar Burden), and the artistic process.

'Til next time,

Lesley-Anne

Sources: A simple Google search on the name Felicia Hemans will bring up all manner of biography, and access to complete volumes of Hemans' work.

Ladies' Dresses on His Majesty's Birth-day

In January 1809, La Belle Assemblee presented an article entitled 'Ladies' Dresses on Her Majesty's Birth-day'. I discussed and posted excerpts from this article on Nov. 12, 2009, here.

The July 1810 issue of the popular magazine published a very similar article but the celebration was for His Majesty's Birth-day. George III had been born on 4 June 1738, but the date of this celebration is not mentioned. Royalty has always celebrated its birthdays publicly on dates other than the actual birth date.

As with the account of dresses for Queen Charlotte's birthday celebration, we do not know what form the celebration took. A ball, or perhaps an evening party, a rout--whatever the event it would have been tinged with anxiety, as the king's health was not good, and was soon to worsen.

Nevertheless, the ladies were wonderfully dressed. The velvets of the January party are replaced by satins, and the rich colours have paled, but the opulence remains constant. The royal ladies were particularly magnificent:

I found this last description surprising as it indicates that the Prince of Wales' detested wife, Caroline of Brunswick, was included in the party. The writer of the article is most complimentary also, confirming the ambivalence with which the Princess was regarded. The people's support of her can certainly be seen in this description.

The Princess Castelcicala, mentioned third below, was from the Grand Duchy of the same name--a principality near Naples, Italy. A Rowlandson cartoon of the Prince of the Duchy can be seen here

It would be interesting to know the total cost of these gowns and jewels. Certainly the ladies of the court, above, vied with the royals for conspicuous consumption.

This, according to La Belle Assemblee, is one of the gowns worn on the occasion. It is captioned "Court Dress - As worn by a Lady of Distinction on His Majesty's Birth-Day 1810". I have not yet been able to match it to one of the descriptions.

The Regency was not yet instituted, but the court already glittered. Fiction writers need not stint when they describe the scintillating Regency world.

'Til next time,

Lesley-Anne

Mrs. Sheridan's Fete June 1806

The above column appeared in La Belle Assemblee published June 1, 1806. What is not stated, and became known only later in Sheridan's memoirs, was that many of the servants at the fete were actually bailiffs and their assistants in livery obtained from the costume department of Sheridan's Drury Lane Theatre!

Richard Brinsley Sheridan, playwright, politician, and theatre-owner was at the time Treasurer of the Navy, and the house in Somerset-place was a perk of the position. Frequently in financial straits, Sheridan held his party despite the demands of his creditors. He held the post of Treasurer of the Navy for only one year and his memoirs state

"...in which office, he no otherwise distinguished himself than by giving a grand fete at Somerset House..."

Mrs. Sheridan, the hostess, was his second wife; a daughter of the Dean of Winchester, the fete must have taxed her powers of organization and her capacity for hospitality.

The fete might have looked like this "City Ball at the Mansion House" by Cruickshank

or this below, a "Squeeze at Carlton House"

It was reported that "nothing could surpass the gaiety and splendour of the entertainment, which went off as well as was anticipated." I know that I would love to have attended, or at least be a fly upon the wall!

'Til next time,

Lesley-Anne